The songs included “ Na kisisi ki aankh ka noor hoon” and “lagta nahin yeh dil mera” from the film Lal Quila. Tripathi composed few immortal ghazals based on the life of the last Mughal Emperor Bahadur Shah Zafar. Roshan composed one of the most evergreen hit titled “ Zindagi bhar nahin bhulenge woh barsaat ki raat,” from the film Barsaat ki raat, 1960, picturised on Bharat Bhushan.The legendary lyrics were written by Sahir Ludhiyanvi. Some of them include “ jane who kaun hai kya naam hai in aankhoka” from the film Bheegi Raat, 1965, picturised on Pradeep kumar, “ Hum intezar karenge, tera kayamat tak, khuda kareki kayamat ho, aur tu aye,” from the film Bahu Begum, 1967, “ Aab kya misal doon mai tumhare shabab ki,” and “aapne yaad dilaya tha to mujhe yaad aya” from the film Aarti, 1963, picturised on Pradeep Kumar. There were very dignified ghazals composed by Roshan during that era. His most outstanding creations were composed for Mohammad Rafi, including “Tumhari Zulfke sayeme sham karlunga, safar is umraka palme tamam karlunga” from the film Naunihal, 1967, “ Baad muddat ke yeh ghari aayi, aap aye to zindagi ayee”, from the film Zahanara, 1964, “kisiki yaad mai apna ko hai bhulaye hue”, from the film Zahanara, 1964, “ Rang aur noor ki barat tujhe pesh karu, in muradonki hassen raat tujhe pesh karoon,” from the film Ghazal, 1965, “Barbad muhobaat ka dua saath liye ja” from the film Laila Majnu, 1977, picturised on Rishi Kapoor. Madanmohan used to be considered as the king of ghazals. As the lyrics of the ghazals were quite rich, having immense literary and poetic value they generally captured the pensive moods of the major characters of the stories.Most of the films had ghazal in one form or the other composed by the musical giants of the golden age. In the 1950s and 60s, the song picturised on the different films were based on different moods of the characters depicted in the stories. In some modernized ghazals the poet's name is hidden somewhere in the last verse, usually between the front and end of a word. Today, however, it is commonly conceived of as an Urdu song, with prime importance given to the lyrics. There are different definitions of it, but simply it is a musical form, but having a poetic recitation. The ghazal is a common song form in India and Pakistan today. Among them ghazal is one category where Rafi’s sweet voice has brought life into the sensational lyrics and outstanding music compositions of the Golden era. As his dimension was as wide as the horizon of creative arts, various categories of his songs has been remembered by generations for the last 50 years, including ghazals, Hindustani classical songs, bhajans, folk songs, songs on the freedom movement of India, qawallis, najrul geeti and many more types of geet. Mohammad Rafi is a name which has galvanised the Indian firmament during golden age of Indian film music.